Georges Didi-Huberman is a philosopher of images whose work is overdue for attention from English-language readers. Since the publication of his first book in 1982, he has published 46 essays, mostly with the prestigious Editions de Minuit, on topics ranging from monographs on individual artists to critical excursions into political philosophy. He is recognised in France and el...(展开全部)

Magdalena Zolkos is Associate Professor in the Department of Social Sciences and Philosophy at University of Jyväskylä and, previously, Humboldt Research Fellow at Goethe University in the Frankfurt Memory Studies Platform. She is the author of Restitution and the Politics of Repair: Tropes, Imaginaries, Theory (Edinburgh University Press, 2020), co-editor of Contemporary Persp...(展开全部)

迈克尔·欧克肖特(Michael Oakeshott，1901—1990)，英国哲学家，政治思想家，20世纪最重要的保守主义知识分子。其思想融英国观念论与休谟的怀疑论于一炉，对伯克等人所建立的英国传统保守主义思想从哲学上做了系统阐述，他对于知识论、政治哲学、历史哲学、宗教哲学和教育哲学都有着深湛的研究和阐发。在英美学术界享有极高声誉，被誉为“20世纪少有的杰出政治哲学家”、“这个世纪最有原创性的学院政治哲学家”、“从密尔或甚至伯克以来盎格鲁-撒克逊传统最伟大的政治哲学家”。 本文集收入了欧克肖特大部分作品，其中包括在他生前发表的著作——《政治中的理性主义》(节选本)(1962)、“论人类行为》(1975)、《论历史及其他论文》(1983)和《人文知识的声音：迈克尔·欧克肖特论教育》(1989)，也包括在他去世后，由别人给他整理出版的著作《宗教、政治与...(展开全部)

What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion--imageability--and shows its potential value as a guide for the building and rebuil...(展开全部)

In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globa...(展开全部)

In "The Future of the Image", Jacques Ranciere develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Ranciere argues that contemporary theorists of the image are suffering from ...(展开全部)

A leading philosopher presents a radical manifesto for the future of art and film. In The Future of the Image, Jacques Ranci&232;re develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and G...(展开全部)

If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. Mistrusted by philosophy, forbidden and embraced by religions, manipulated as spectacleand proliferated in the media, images never cease to present their multiple aspe...(展开全部)

We live in an age of the mobile image. The world today is absolutely saturated with analog and digital images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has hitherto unconsidered consequences not only for the way we think about contempo...(展开全部)

Winner, in the original edition, of the 1989 Joan Kelly Prize of the American Historical Association, this landmark work from a renowned feminist historian is a trenchant critique of women's history and gender inequality. Exploring topics ranging from language and gender to the politics of work and family, Gender and the Politics of History is a crucial interrogation of the us...(展开全部)